“I am afraid of my visions.” Thus spoke H.R. Giger, the artist whose paintings led to him being engaged by director Ridley Scott to design the xenomorph for the first Alien film in the late 1970s.

When you buy through links on our articles, Future and its syndication partners may earn a commission. Credit: 20th Century Studios Set between Alien (1979) and Aliens (1986), Alien: Romulus, the ...

Surrealist artist H.R. Giger - one of the driving creative forces between 1979's Alien - died today in Zurich after complications from a fall. A 2010 interview published by Wired traced Giger's ...

Carla Accardi, “Segni verdi” (1967). Enamel on sicofoil, 63 x 43 5/16 inches. (Click to enlarge) (Courtesy Sperone Westwater, New York) Sometimes the quietest and most unassuming exhibitions turn out ...

Alien: Romulus has cemented a place of infamy in the franchise, thanks to the climatic reveal of “The Offspring,” a xenomorph/human/Engineer hybrid creature, born from the infected womb of poor Kay ...

Alien: Romulus contains quite a few call-backs to Ridley Scott's original masterpiece and James Cameron's sequel, but it also reintroduces a concept from one of the less popular movies in the ...