Martin Helmchen, 27, is rapidly establishing himself as one of the most interesting young European pianists. Previously he has recorded mostly Mozart and Schubert. Here he extends his repertoire ...
Celebrations marking the centennial of a composer’s birth or death are a popular device for festival programming, providing a useful hook for an in-depth look at an artist’s life and works. If not the ...
When I reviewed the Tokyo String Quartet's CD of Brahms Quintets with guest musicians Jon Manasse and Jon Nakamatsu last November, I knew it was the group's penultimate recording. Violinist Kikuei ...
Here is a superlative disc from the Sacconi Quartet, on their own label, with a treasure trove of top-drawer performances from the rich Bohemian repertoire. I absolutely love their warm, deeply ...
London audiences are lucky to have the Skampa Quartet as a more-or-less permanent fixture, primarily at the Wigmore Hall where it has given a number of memorable concerts. Now in its 11th year, it ...
Performances in N.Y.C. Advertisement Supported by Music Review By Steve Smith Dvorak is the latest composer to seize the collective attention of the Emerson String Quartet, that brightest of stars in ...
The School of Music’s Oneppo Chamber Music Series brings some of the world’s leading ensembles to one of Yale’s most intimate concert venues. On Tuesday evening, the globally renowned Emerson String ...
Schulhoff’s brainstorm received a performance of searing intensity and charm by the Penderecki, which was founded in 1986 in Poland at the urging of composer Krzysztof Penderecki (pen-der-ETS-ski).
The exceptional intimacy required of a classical string quartet requires hard work and the right chemistry between four sensitive musicians before it can bear fruitful results. Happily, this is the ...
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